by pagelli | Juli 21, 2023 | Behind the Guitars
In the case of our Massari archtop, the innovative qualities of a combination of carefully considered features are greater than the sum of their parts. First, there’s the wood-on-wood tailpiece design, similar to those found on viola de gambas, which we feel offers...
by pagelli | Juli 21, 2023 | Feedback
Grand Gtrs 4.2021, Grand Electricsby Leonardt Breuken Sie nannten ihn Gringo / They called him Gringo- Pagelli Guitars Gringobeat It’s in German – so for the English readers we just post the beginning of Leonard Breukens review: South America and...
by pagelli | Juli 21, 2023 | Feedback
Meine Gringobeat ist für mich die vollkommene Gitarre, angefangen beim Klang über das Design bis hin zur Verarbeitung. Ganz herzlichen Dank an Claudio und Claudia Pagelli für dieses einzigartige und aussergewöhnliche Instrument. Urs Baumann, Gitarrist bei Blues...
by pagelli | Juli 21, 2023 | Behind the Guitars
Our first patent! It didn’t do us much good, and we didn’t know the guy who first wanted to buy the guitar, so we sold it to someone else – after all, who knew about Joe Satriani at the time? As a result, the rotating pickup guitar became a curiosity of musical...
by pagelli | Juli 21, 2023 | Behind the Guitars
First introduced on our Golden Fretless Bass in 1997, a fingerboard that continues all the way to the instrument’s bridge is still an innovative feature today. The design allows for long sustain and playablity into the highest range, but of course it only works if...
